Wind in the Willows

 Wind in the Willows, someone once said, is not a book that you judge: it is a book that judges you. But it is a kindly judgment, not the imperious magistrate casting you into the gaol, but the friends dragging you back home for your own good. It is a book I feel sorry for people who never got to read, or who cannot appreciate it. And I can understand why some people struggle with it (beyond those who have no enjoyment for anything fantastical): the pacing is erratic, lurching between pastoral lyricism and the crazy adventures of Toad. But so be it. It is not for us to judge. 

Whereas Winnie the Pooh deals with life's small and ordinary feelings and encounters, Wind in the Willows dives right into some of its hardest tangles: the line between supporting friends and enabling them; the tension between the longing for home and longing for adventure; the overwhelming weight of glory and the mercy of our day to day agnosticism. 

The thing that struck me most of all on this reread was that Grahame succeeds in a way almost unique to bring the modern (to him at least) world into his fantasy without losing any of the sense of wonder. It is extremely easy--nearly every modern YA fantasy book does it--to render magic into mere technology. It is not particularly unusual to write fantasy, like Tolkien did, in which technology is the enemy and hostile to magic. But to make a world where Mr. Toad can steal a motor-car--and a train for good measure--and yet every tree and streamlet is laden with mystery and purpose--that is quite uncommon. 

It had been too long since I read it (not since Dame and Dash were second graders, so eight years at least), and I will do my best not to let so long go by again. 

Other Books:
I finished How to Read a Tree, by Tristan Gooley, but I really think I need to own it because it's a book to read a tiny bit of and then go for a lot of long walks and noticing. Not that I get to spend a lot of time noticing since my walks are usually desperately trying to restrain or hopelessly trying to locate the dogs, but I still am spotting some more. Looking forward to trying out more by this author, the library has a bunch. 

I also got back from the library and finally finished The Soul of an Octopus by Sy Montgomery. Last year everyone was reading Incredibly Bright Creatures, including our book group, and while we enjoyed it pretty well (especially for the local setting and for being more cheerful than *most* of the local books we get to read), the best part was definitely the octopus and if you really want to spend some time with octopuses, The Soul of an Octopus might be more what you want.

Our book club's newest selection is In The Heart of the Sea by Nathaniel Philbrick. I am looking forward to hearing everyone's opinions on it--it's the true story on which Moby Dick was based. I think everyone will enjoy it, except perhaps Barb who has some cannibalism-related trauma due to being a child before movie ratings systems came out. Adventure on the high seas and all that. I really want to give Moby Dick another go now (I last read that as an extremely stubborn but largely uncomprehending 10 year old) but I'm still only about a third of the way through the Brothers Karamazov. I definitely want to check out more by this author. 

In children's books that came out since my time, I've been reading a whole slew of Harriet Hamsterbone and Danny Dragonbreath adventures by Ursula Vernon. They're in the gaining fluency stage, somewhere between a graphic novel and a chapter book, and they're hilarious and inventive and in my opinion a significant cut above the better known series in that range. Harriet and her battle quail solve various fractured fairytale crises, while Danny and his small reptilian buddies cope with various more or less mythical monsters. They manage to have great adventures without dead or absentee parents, potty humor, or any excessive degree of family turmoil. I also highly recommend Castle Hangnail. 

The Brothers Karamzov I have moved to audio book--it's way easier to keep the characters straight with an actor doing different voices than it is to remember who is going by which name in what context. Russian literature, I suspect, is rather like watching reality TV or soap operas: one's own life can hardly escape looking better by contrast. It is great and profound and thought provoking and also sometimes I just want Flora from Cold Comfort Farm to show up and convince everyone to stop being so melodramatic. 

I saw a bunch of recommendations to try Louise Penny as a modern mystery writer and I must say the titles and cover art were very compelling. I read A World of Curiosities and found it pretty well done but in the end I really don't like the grittier kind of mystery very much. (Even though, if you think of it, cozy mysteries are far more disturbing--to think that an ordinary person living their ordinary life could have personal knowledge of dozens of murderers who mostly murdered for rather humdrum and ordinary reasons--is far more troubling than to think that the chief detective for a large metropolitan area would need to deal with the occasional serial killer.) But I will probably read a couple more because the titles are so lovely, but not right before bed.

Due to wanting to inspire Dame to keep up on her Latin I started doing Latin on Duolingo, but the course is not very long and I have already gotten to the part that's only review while still being very far from actually reading anything interesting in Latin. So I'm very excited to have purchased Scribblers, Sculptors and Scribes along with Wheelock's Latin, which promises reading real Latin writers from the very beginning, even if we have to start with graffiti and copybook headings. 

The Great Brain

 So for February my revisitation of children's literature went to The Great Brain by John D. Fitzgerald. There are more in the series, but we seem to have the first two. (My library consists of a very random amalgamation of books--mostly American history--purchased by DOB in his youth; books of many varieties picked up by me at random library sales, books obtained for school for the kids in various years, and quite a number that were rescued from the farm. Also Bookworm's library is slowly migrating this way. And in the past couple of years I have finally started deliberately purchasing books I actually want to re-read. So I am often in ignorance of what exactly is in our library. Also DOB hired some housecleaners to come install additional bookshelves and bring order to the chaos upstairs a couple of years ago and while they did make everything much neater, they had not the slightest conception of how books should be organized so pretty much everything is just random. After the addition goes on and Bookworm moves in we shall have a grand book reorganizing.) 

*The Great Brain* is in the category of realistic kid adventures with a strong historical and geographical setting--in this case turn of the 20th century (we have to specify which one now) Utah. They are based on his own childhood and I have no idea how fictionalized they are (or what his older brother immortalized as the titular character, a money-loving eleven-year-old con artist, thought of the series.) 

On re-read, these are solid but not immortal books. The prose is a little clunkier than I remembered. There are many things that might grate on modern sensibilities, but on the whole the series is good-hearted and doesn't shy away from tough issues (immigration, disability, suicide, lack of community care for an outsider). Honestly I think most parents would definitely put it in the read-aloud-and-discuss category. It's certainly a very different world, one where a boy's status is entirely measured by physical violence and girls don't even exist, where weeks of the silent treatment is the enlightened parental alternative to the whippings routinely handed out, where dividing along cultural and religious lines is hardly even to be questioned. But I think it's good for kids to visit some different worlds, and even to realize that places not all that distant in time or space still had dramatically different outlooks and unquestioned values. 

Other books I have been reading:

I finished Byzantium and it held up well through the end. The Vikings remained a hilarious RPG party throughout; even being sent to the silver mines could not squelch them and they horded as much silver as they could until rescued. And yet it also felt real when the one Viking convert, despite his entire instruction being at the hands of his captive/slave/friend, a disillusioned and apostate Irish monk, spoke movingly of the day he nearly died of torture in the mines that he knew that Jesu would be there at the harbor to welcome him home, and would understand, as he had suffered in the same way.

This also got me interested in Eastern European medieval trade routes, which is being further whetted by a podcast on The Voyages and Travels of the Ambassadors, about a journey from Germany through Russia and Persia in the 1600s, but I cannot find anything on it at all at the local library.  

On the monastery theme, I convinced my book club to read A Morbid Taste for Bones by Ellis Peters, and I am always happy to spend some time with Brother Cadfael. We'll see how people like it. 

On a bit of a mystery kick, then, I also reread Murder Must Advertise by Dorothy Sayers. It is wild to think that this book is nearly a century old; I wonder if it is one of the first examples of the modern workplace comedy with its banter that still feels familiar territory but surely did not exist much earlier, before, well, workplaces were co-ed. (One cannot imagine such a place in Dickens.) Granted it's still early days and there are no women in management but there is one actual female copywriter and a couple of typists whom Sayers, holding true to her principles, treats as humans. And though the language of the actual advertisements have all the absurdities of vintage advertisements, the general motive of advertising and its very mixed blessings have not changed all that much even if the media have changed dramatically. 

I've decided my next tough classic to tackle is The Brothers Karamzov. There's nothing like a little Russian literature to remind one that one's troubles are not really so bad. 

Pooh and Alice

 I started off the year with A. A. Milne. I'm sure the idea is not original with me that children's literature can have a much broader scope than adult literature because, with the attention-hogging topics of sex and death off the table, the writer must delve into the more nuanced joys and sorrows that actually make up the bulk of life. Probably no books exemplify this as well as the Winnie-the-Pooh books, which celebrate life's small joys like sitting in the sun with a friend and its small sorrows like discovering one already ate the snack one was saving for later. Although I think it is the poems that I find even more enlightening, as there are few days in which I do not feel like The Old Sailor My Grandfather Knew, not to mention those days of discovering another knight whose squeak has gone, or needing to enlist a suitable third party to suggest an answer I am not entirely sure of. We will never forget Pooh, even when we are 100. 

Then I went on to Lewis Carroll, which are an entirely different kind of fantasy, the kind where even the ordinary becomes strange. This puts some people off, but for those of us who are always finding ourselves at odds with the world, it is strangely comforting. (Pooh and Alice view from different angles the joy of reciting one's own poetry and the horror of having to listen to other people's. Such is human existence.) There is also a special place in my heart for *The Hunting of the Snark*, though it is much less well known:

He had bought a large map representing the sea,

   Without the least vestige of land:

And the crew were much pleased when they found it to be

   A map they could all understand.

"What's the good of Mercator's North Poles and Equators,

   Tropics, Zones, and Meridian Lines?"

So the Bellman would cry: and the crew would reply

   "They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!

   But we've got our brave Captain to thank

(So the crew would protest) "that he's bought us the best—

   A perfect and absolute blank!"

Anyway, they were both a good way to spend January, including one particularly exciting Friday when the temperature dropped to 12 Fahrenheit, the pipes froze, the heaters stopped working, the dogs got out, and CPS dropped by (due to an offender in the neighborhood).  

Other things I am reading:

Byzantium by Stephen Lawhead. This is the first time I've actually read Lawhead, as far as I know, though I've tried several times but always been stymied by not having the right books in the right order. As far as I know, this one stands alone. So far it's been quite enjoyable (and a nice medieval follow-up to Doomsday Book, which I read over New Year's). It does feel a bit like a role-playing game somehow in the sequence of adventures, but I do not consider that a demerit. 

The Planets by Dava Sobel. I wanted a reliable science writer after starting on a book off the library new books rack that had a glorious title and promised to be about deep sea creatures but instead spent an awful lot of time on the author's Tinder dates, which were of no interest to me. This was not about deep sea creatures, but it was, as advertised, about the planets, both their attributes, exploration, and the history of human views and legends about them. The only thing I wished it had was an update for the most recent fly-bys. 

How to Read a Tree by Tristan Gooley. I haven't finished this yet, because it's best read in small doses so I can then look for things on my next walk, or as much as I can do while disentangling the dogs from the huckleberry bushes. This book focuses on general species that have common traits throughout the Northern Hemisphere and then on specific things to notice about the trees in front of you and how their growth and patterns have been influenced by their surroundings.